I’m a huge boxing fan. I love the strategy and the combat.

I love to perform. I’ve never lost the urge. I’ve never once been on stage when I didn’t want to be.

Whether it’s five people or 50,000 people, I always love to perform and feel very blessed that I’m able to do that.

I never really thought we’d fitted into the cross-over drawer. But I think the real Sugar Ray fans did like us because we always had variety and because we experimented a lot.

None of the original love and feel for going on stage is gone. I’m not a true singer. I’m performer, and I need to be on stage.

As a performer, I want to hit the last row of the arena. I want to make big moves. I’m a spaz, naturally.

When you become a commodity to a record label because you’re making them millions of dollars, you can take all of your artistic integrity and throw it out the window.

With acting, there are a lot of subtleties and non-verbals involved. If someone is over there, getting eaten by a shark, there’s a non-verbal way of how to act that. There’s a certain nuance to acting that does not come intuitively to me. It’s something I still have to learn.

You know how it is with drawers and labels in the music business. They don’t want anything to be complicated. They just want it simple, as simple as possible.

Acting is about listening, and that’s something that took me awhile. You almost don’t have to learn your lines, if you listen to what they’re saying and move it along.